Video still of a young Asian woman in khaki uniform, holding a cigarette, with a bouquet of flowers in front of her, which makes up the lower frame.
Deutsches Theatermuseum München

Encounters. Artistic perspectives on cinema

In the context of the Munich Film Festival and in cooperation with the Deutsches Theatermuseum, the Sammlung Goetz will present films by artists who explore aesthetic strategies of cinema. Through the use of innovative techniques and experimental narrative forms, the works on view offer a multi-layered reflection on film as a medium. So viewers can experience the full scope of artistic perspectives, an extensive, changing program has been created and will be shown in a specially designed cinema on the upper floor of the Deutsches Theatermuseum. A reading lounge in the foyer invites visitors to discover more about the exhibited artistic positions.

With works by Yael Bartana, Dominique Gonzalez-Foerster & Tristan Bera, Teresa Hubbard/Alexander Birchler, Sven Johne, Isaac Julien, Jesper Just, Annika Larsson, Christian Marclay, Tracey Moffatt, Tracey Moffatt & Gary Hillberg, Marcel Odenbach, Julian Rosefeldt, Aïda Ruilova, Ann-Sofi Sidén und Yang Fudong.  

Film program

1st program (3.–28.7.2024), duration: approx. 68'

Isaac Julien, Paradise Omeros, 2002, 20’29’’

Tracey Moffatt, Night Cries – A Rural Tragedy, 1989, 16’34’’

Marcel Odenbach, Im Schiffbruch nicht schwimmen können, 2011, 8’15’’

Yael Bartana, The Undertaker, 2019, 13’

Yang Fudong, Honey (mi), 2003, 9’29’’


2nd program  (30.7.–18.8.2024), duration: approx. 70'

Teresa Hubbard / Alexander Birchler, House with Pool, 2004, 20’39’’

Jesper Just, A Room of One's Own, 2008, 8’29’’

Annika Larsson, Pink Ball, 2002, 16’13’’

Sven Johne, Elmenhorst, 2006, 6’20’’

Yang Fudong, Lock Again, 2004, 3’

Julian Rosefeldt, Lonely Planet, 2006, 16’18’’
 

3rd program  (20.8.–8.9.2024), duration: approx. 80'

Dominique Gonzalez-Foerster & Tristan Bera, Belle Comme le Jour, 2012, 13’

Isaac Julien, Three, 1996-99, 15’55’’

Aïda Ruilova, life like, 2006, 5’19’’

Julian Rosefeldt, Deep Gold, 2013/14, 18’12’’

Ann-Sofi Sidén, QM, I Think I Call Her QM, 1997, 28’
 

Presentation in the reading lounge on a monitor (3.7.–8.9.2024)

Christian Marclay, Telephones, 1995, 7’30’’

Tracey Moffatt & Gary Hillberg, Lip, 1999, 9’45’’

Tracey Moffatt & Gary Hillberg, Artist, 1999, 9’50’’

Accompanying program

Deutsches Theatermuseum München

INTERIM Children's constructional workshops

The Sammlung Goetz is currently closed to visitors, or to be more precise, the exhibition building. But the works and the art program are still on the road, and we're going with them!

Deutsches Thatermuseum München

Artist Talk with Marcel Odenbach

An accompanying program to the exhibition "Encounters. Artistic perspectives on cinema"

Hofgarten Munich

Architecture and Art in Dialogue

Encounters between architecture and art - around the Hofgarten in Munich

Current

A Change of Scenery. Artists' Wallpapers from the Sammlung Goetz

| Neues Museum Nürnberg

The collaborative project between the Sammlung Goetz and the Neues Museum Nürnberg offers an exciting interplay between interior and exterior space. In the museum’s six façade rooms, the two institutions present wallpapers designed by artists represented in the Sammlung Goetz. Most of the works were created in the context of earlier large-scale installations and have now been adapted to the new space in Nuremberg.

Gutai. Collection + Goetz

| Pinakothek der Moderne | Sammlung Moderne Kunst (Modern Art Collection)

Since 2019, in the context of the Sammlung+ format, the Sammlung Moderne Kunst has presented artistic discoveries, new acquisitions and thematic foci in the Pinakothek der Moderne in collaboration with partners and foundations. This has led to the emergence of new perspectives on the collections, new insights into research work and the establishment of new dialogues. It is in this framework that a selection of paintings by the Japanese artist group Gutai from the Sammlung Goetz will be presented in room 23, within a series of rooms focusing on near-contemporaneous regional and German abstraction phenomena under the title “Walk the Line.”  Founded in 1954 by the abstract painter Jiro Yoshihara, Gutai was one of the 20th century’s most innovative artistic movements, which combined action, abstraction and materiality.

Further exhibitions

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