This photograph seems like a film still. A woman in a red dress stands thoughtfully in the foreground, holding glasses in her hands. Behind her, different stereotypes gather in front of a painted desert scenery.
Staatliche Kunsthalle Baden-Baden

Die Wohltat der Kunst. Post/Feministische Positionen der neunziger Jahre

Against the backdrop of a detailed examination of gender relationships, the exhibition again raises questions about the construction of the concepts of body image and attributes of identity. The term 'post-feminism' in the subtitle does not aim to set boundaries to feminist concepts from the 1970s but to review them.

With Matthew Barney, Rineke Dijkstra, Tracey Emin, Mona Hatoum, Jonathan Horowitz, Sarah Jones, Mike Kelley, Karen Kilimnik, Sarah Lucas, Tracey Moffatt, Cady Noland, Catherine Opie, Pipilotti Rist, Daniela Rossell, Cindy Sherman, Ann-Sofi Sidén, Sam Taylor-Wood, Gillian Wearing, Sue Williams and Andrea Zittel.

Based on the observation that female artists were fairly well represented in exhibitions and on the art market of the 1990s, this show presents works by 20 artists (17 female artists and three male artists) who deal critically with body image as manifested in our society, as well as with the balance of power. This issue is also one of the main emphases of Ingvild Goetz's collection: “I want my collection to shake up people or draw their attention – not only in the political sense but also through very good, i.e. aesthetically good art.” The exhibition includes many photographs and video works that investigate and criticize the notion of the ideal body image found in the media.
The exhibition, curated by Rainald Schumacher (Sammlung Goetz) and Matthias Winzen (Staatliche Kunsthalle Baden-Baden), which will subsequently be shown in a modified form in the Sammlung Goetz exhibition building, was created in close collaboration with Ingvild Goetz. It not only reflects the profile of the collection, but also provides an insight into the collector's thinking.


Further exhibition dates :

Sammlung Goetz
December 1, 2002 – March 14, 2003

Under the tilte Just Love Me:
Bergen Art Museum, Bergen, NO
August 23 – October 26, 2003

Fries Museum, Leeuwarden, NL
April 24 – June 21, 2004

Die Wohltat der Kunst
Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz

241 pages, 140 ill., softcover
German
2002, Kunstverlag Ingvild Goetz GmbH, Hamburg; Staatliche Kunsthalle Baden-Baden
ISBN 3-88375-621-0
€ 20,00

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